Formal and Informal Page Layouts Formats for Designing

A page layout is an art of arranging or organizing text and images (illustrations, symbols, photographs etc.) on a page or pages to create a desired and pleasing effect. A well-designed page attracts the reader’s attention and presents the material in an easy to read fashion. Modern page layout offers the Graphic Designer with many options that make his/her work very attractive, effective and unique.

i. Formal / Symmetrical layout:

This is a format that is divided into two equal parts to achieve balance. It is achieved when an imaginary vertical centre line divides the layout and each side of it contains an equal amount of copy text and illustrations. It expresses dignity and stability. The formatting “toolbar” on the computer has commands or operations which help designers in organizing their page layouts such as in typesetting their work according to specification. Examples are the Justified, Unjustified and Centered layouts.

• Justified: In this arrangement, all lines have the same length and are aligned to form a straight line at both left and right or flush left and right. Word spacing is adjusted so that each line fills the entire measure. It is the commonest format and is very easy to read. However, its demerit is that it contains a lot of hyphens.

• Unjustified: The lines of type in this format is either flushed left and rugged right or flushed right and rugged left. The flush left is common and easy to read but flush right is not popular and is difficult to read.

• Centered: Type lines in this arrangement appear rugged at both ends. The lines centered on an imaginary vertical line making it symmetrical. It is a good layout format for headlines and certificates.

ii. Informal Layout

It is also referred to as Asymmetrical Layout. This format has an informal balance. Each side contains unequal amounts of copy text and illustrations. Informal balance gives the artist the freedom in placing the different types and elements of design using personal opinion and taste. It is often difficult to read. Examples of the informal layout are contour, run-around and inclined layouts.

• Contour: In this style, each side contains unequal amounts of copy text and illustrations in an undulating form (move in a wavy pattern).

• Run-around: In this format, each side of the layout contains unequal amounts of copy text and illustrations in a circular form.

• Inclined: In this layout style, each side of the layout contains unequal amounts of copy text and illustrations which are slanted to either left or right (diagonal pattern).

Designing and Making Paper Items

There are several ways of decorating paper. Most of the techniques were born out of experimentation of the artist with the colours and other materials found in the environment. This implies that aside from those methods that will be detailed, every artist must endeavour to create new ways of designing paper items.

1. Marbling (controlled and uncontrolled)

2. Comb-pattern

3. Wax resist

4. Doodling

5. Spraying

6. Roller and twine pattern

7. Ink-blowing

1. Marbling (controlled and uncontrolled)

Marbling is a method of making decorative patterns on paper by transferring colour from the surface of a liquid onto paper. Tools and materials required for marbling include paper, brushes, thinner, basin or trough, various colours of oil paint, cooked starch, empty tins, stick, and water.

Controlled Marbling

Process:

1. Fill a trough with cooked starch in an even consistency.

2. Sprinkle different colours of oil paint on the starch.

3. With the aid of the stick, stir gently for the colours to mix on the surface of the starch in order to make the patterns.

4. Place paper flat on top of the starch and tap the back to remove trapped air.

5. Hold one edge of the paper and remove it by dragging it along the edge of the trough to remove the starch.

6. Excess starch is washed off with water and hanged to dry.

Uncontrolled Marbling

Process:

1. Fill a trough with water.

2. Sprinkle different colours on the water.

3. Stir in different directions for the colours to come together over water.

4. Place paper flat on top of the trough and tap the back to remove trapped air.

5. Hold one edge of the paper and remove it by dragging it along the edge of the trough.

2. Comb-pattern

The tools and materials are large brush, paper or hair comb, cooked starch, water, powder colours, paper.

Process:

1. Mix powder colour with cooked starch to an even consistency to form a thin paste.

2. The brush is used to paint paste over the entire surface of paper.

3. The comb is used in making rhythmic patterns on the sheet.

4. It is hanged to dry.

3. Wax resist

Tools and materials required for this paper pattern making technique include brush, crayon or candle, powder colour, paper.

Process:

1. A sheet of paper is folded and creased to create parallel lines.

2. Wax is used to draw lines within the folded lines.

3. Go over the lines for a second run.

4. Colours are mixed and painted over the waxed paper.

Another technique is to sprinkle molten wax on paper. It is painted over with any high key colour. Wax is sprinkled over again and painted over with a low-key colour. After drying it, place the paper between two sheets of newspaper and iron to remove the wax leaving the patterned design.

4. Doodling

The tools and materials used include pencil, colours, paper, and brushes.

Process:

1. Create doodles to cover the entire sheet. Doodles are scribbles make on paper without any forethought plan.

2. Different colours are mixed to paint familiar shapes created by the doodles.

3. Erase the extensions created by the pencil.

5. Spraying

Tools and materials used include spray diffuser or shoe brush, paper, colour, cut out shapes, natural objects.

Process:

1. Arrange the natural objects or patterned templates and maintain their positions with drawing pins on the sheet of paper.

2. Spray colours on the patterns using the spray diffuser or an empty pen barrel with a mesh held at one end.

3. Gently remove the drawing pins and the cut out patterns.

4. The sprayed patterns on the paper is left to dry.

6. Roller and twine pattern

Tools and materials used include paper, printing ink, two hand rollers, rags, twine, thinner, glass slab.

Process:

1. Twine is wound around one hand roller.

2. Printing ink is placed on glass slab and rolled over with the second roller.

3. Printing ink is transferred onto the twined roller by rolling it over the glass slab.

4. The inked twined roller is rolled over the paper from the edge to edge and covered all over.

5. The rollers are cleaned with thinner and a different colour is used to go over the already created pattern to give a two coloured effect.

7. Ink-blowing

Tools and materials used include ink, paper, and empty pen barrel.

Process:

1. Sprinkle the paint at different sections on the paper.

2. Blow the paint to sprinkle it in a hairstyle manner using the empty pen barrel.

3. Leave the paper to dry.

Decorative papers are used for making book covers, endpaper, wrappers, wallpaper, background for calligraphy etc.

The Effects of Music and Influence on Society

Man is a social being that has has developed the usage of music from a common means of entertainment to a therapeutic tool. Music brings happiness to people, music calms people, and music can correct neurological complications.

Music is defined as an art form whose medium is sound and therefore is commonly known as an art that moves the soul. It is composed of the Pitch, rhythm, dynamics and sonic qualities of timbre and texture, It is commonly used for entertainment, but there is more to it many do not know. The appreciation of music varies from person to person, place to place or culture to culture. Your reaction to music is strongly influenced by what you are used to and your understanding of what is being song. Music can be a means of communication whereby one actually listens to the lyrics and understands what is being said in the song or just a collection of sounds put together to make a rhythm. The sounds produced by early birds can be translated to music.

Music can be used for entertainment. Here people react to it by dancing or singing along side. Music heals the soul or makes people forget of their worries. Music can also be used to remind someone of the past or worries. Here we say music provokes memories good or bad. Particular songs are attributed to particular moments or experiences in someone’s life, such that each times they listen to a song, they are reminded of of a particular event. Therefore at different times, music can stimulate excitement, relaxation, festivity, boredom, sexuality, arrogance, anger just to name a few.

Music is now used in hospitals to ease pain especially during labor, or surgery, it is used to put the mentally handicapped in a calmer situation. Two components of music are the rhythm and melody. The strength of the rhythm is enhanced by the instruments types.

Tribalogy – Drawing With Both Hands at the Same Time

For the greater part of my life, I have been drawing with my right hand only. Several years ago, I had an idea for a fun artistic challenge. One day, I decided to include my left hand into the drawing process. I refer to this as “Simultaneous, Two Handed Drawing”- the act of drawing with both hands at the same time.

You might be asking, “how could this be possible and how can you focus on both hands at the same time?”. The answer is this: the same way you drive a car, play an instrument, or type on a keyboard. We train our brains to function and operate in a way that allows us to accomplish specific tasks.

The truth is that everyone can draw with both hands at once. It’s simply a matter of the willingness to learn, as well as being inspired to take on the task. Everyone is different, and we all have abilities that make us unique.

For me, I have been drawing my whole life and I have been heavily inspired by the lines and shapes prevalent in Tribal art. I have practiced drawing, painting and tattooing tribal designs for, literally, thousands of hours in my life.

My goal has always been in developing a fundamental understanding for the science of interacting lines and shapes on a surface. Incorporating my other hand in the art creation process seemed to be the next step in connecting with line art on a deeper, more spiritual level.

Drawing with both hands seemed to allow me to get even closer to becoming one with the lines and shapes that I created. I started to draw tribal art with both hands at once, and Tribalogy was born. After creating several simultaneous, two handed drawings, I noticed my hands making similar movements on the paper, and new drawing techniques were born.

These include Hand Mirroring, Hand Independence, Detachment, Alternating, Overlapping,Tempo, and so on. The drawing methods would come to me, as though they had always been there, and as if I was uncovering them through drawing experimentation. Drawing with two hands seems to hold a lot of answers regarding the art creation process. It feels like I am closing an electrical circuit, allowing art to flow freely into the design, then back into me.

I believe that an artist who creates art with one hand is just as close to their art as the two handed artist. Incorporating my other hand seems to be the missing force in my individual process.